My husband (Jeff) and I were joking one night that we might be two of only a handful of people who really think about life. We had both recently read Tinkers by Paul Harding and we were likening his book of deep contemplation to the messages that humankind has sent out into space in case there is life elsewhere in the universe. We thought we should write to him and let him know that he found us, the other intelligent life on this planet. We were kidding, of course, but maybe we shouldn't have been. Paul Harding's gifts and effort are wasted if there aren't people like us out there. Obviously, there are far more people than Jeff and I who would appreciate Harding's book, but we can't really know how many. We all have different aptitudes. Some fully understand the beauty of concert piano. Others comprehend the intracacies of a Rembrandt. Jeff, for example, sees art and grace in a skateboard griding a handrail...which is beyond me. But while he may not be a professional-grade skateboarder, his love for and ability to skateboard add value to the process as a whole. In that sense, all of our talents, whatever they may be, are vitally important in this world. We shouldn't sell ourselves short. The Nobel Prize Winner is nothing without those who understand the significance of what he/she accomplished in order to qualify for such an award. In that vein, I'm going to post the poem I shared last night. This is my version of publication. And yes, I'm proud of this poem. I should be.
For My Children
How I See Myself:
A package
marked
'Fragile' with a sticker
on the wrist, a calf,
this uncreased forehead.
Porcelain white skin,
Japanese paper thin.
I fold
myself into an origami
lotus flower, petals crushed
by clumsy hands and
numb fingers.
Three hundred sixty five
needles remind me something
can go wrong any day,
and always does.
Justice will claim me post Murphy.
How You See Me:
It's an analogy.
Atlas is to a Harlem Globetrotter as
Mommy is to a circus juggler.
They made a day for you
to make me
breakfast as though
I get to stay in bed.
When you were old enough,
you picked dandelions
for me on holidays. Maybe
you understand me
better than I thought.
How I See You:
Today the crayon marked
toilet should be put in
a museum.
Today your smile compensated
for the silence
of your laughter.
Today your are my suns.
You'll both be missing soon
but in the Lost and Found.
Here's my hat. Here's my job.
Here's my wife. Here's my God.
You're found,
but I'll have lost you.
Freud sends the word:
In the end, it's my fault.
My only redemption?
What you mean to me -
I did exactly two good things
with my life.
How I See Myself:
A package
marked
'Fragile' with a sticker
on the wrist, a calf,
this uncreased forehead.
Porcelain white skin,
Japanese paper thin.
I fold
myself into an origami
lotus flower, petals crushed
by clumsy hands and
numb fingers.
Three hundred sixty five
needles remind me something
can go wrong any day,
and always does.
Justice will claim me post Murphy.
How You See Me:
It's an analogy.
Atlas is to a Harlem Globetrotter as
Mommy is to a circus juggler.
They made a day for you
to make me
breakfast as though
I get to stay in bed.
When you were old enough,
you picked dandelions
for me on holidays. Maybe
you understand me
better than I thought.
How I See You:
Today the crayon marked
toilet should be put in
a museum.
Today your smile compensated
for the silence
of your laughter.
Today your are my suns.
You'll both be missing soon
but in the Lost and Found.
Here's my hat. Here's my job.
Here's my wife. Here's my God.
You're found,
but I'll have lost you.
Freud sends the word:
In the end, it's my fault.
My only redemption?
What you mean to me -
I did exactly two good things
with my life.